Composer Patrick Doyle, King George III. Writing Charles’ Coronation March

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composer patrick doyle Films for which he composed music include “Cinderella”, “Rise of the Planet of the Apes” and “Harry Potter and the Goblet of Fire”. Starting Saturday, the two-time Oscar nominee (for his work on “Hamlet” and “Sense and Sensibility”) will have another credit to add to his already long résumé: composing music for it. king charles iiicoronation ceremony.

This is Handel (appointed for the coronation of King George II in 1727) and Elgar (in 1902).

So how did the man who composed the music of “The Emoji Movie” and “Bridget Jones’s Diary” get involved in such a historical event?

Doyle says it’s as simple as calling Buckingham Palace’s manager. Variation. “This call came completely out of the blue. It is an extraordinary thing to be asked for, a great honor. Of course, I immediately said ‘yes’. But after that, the horror took over me very, very quickly.

“But for most of my career, I’ve known King Charles for over 30 years,” adds Doyle. “And I felt like he wouldn’t have asked me if he didn’t think I would be up to the task.”

It turned out that Doyle and King had a self-described “close professional friendship” dating back to the late 1980s, when the disaster struck on the opening night of Kenneth Branagh’s production of “Twelfth Night” at Riverside Studios in London. Doyle orchestrated the production and accompanied him on piano (the show also marked the beginning of a decades-long partnership with Branagh). As the curtain rose and Doyle began to play, a lamp perched on top of the piano slowly tipped over, knocking sheet music all over the composer and the floor. “My heart breaks when I think about it now,” Doyle still shyly recalls 30 years later. “There was complete silence. And I said in desperation, ‘Has anyone seen the first page?’ I shouted. It exploded everywhere.”

In the audience, Doyle caught Prince Charles “laughing” as it was known at the time. When Prince was introduced to the cast and crew backstage, he told Doyle: “That was hilarious. You should do this every night.” Two years later, Charles gave the composer Branagh’s “V. He wrote a letter praising him for his music for the film version of Henry” and wrote to him again shortly after Charles’ grandmother asked him to compose a piece to commemorate Queen Elizabeth’s 90th birthday. Mother Queen.

It was to create a “victorious, uplifting, and memorable” orchestral anthem for Doyle’s coronation—which Charles said was designed by him—that could later be adapted for woodwind and woodwind groups.

Doyle has composed marches for “Cinderella” and “Harry Potter” before, but he says it’s harder in this case. Not only because of the nature of the event, but also because a film provides a starting point to begin writing music: “You have the look, feel, and tone of the imagery, the narration, and the actors, and all of your editing and painting.”

With no script to work on, Doyle began to create his own “story and footage.” “Over the years I thought about the times I met King Charles and watched him in a professional role on television and in the media,” she says. “So all this came to mind. Finally, I composed what you would end up with an overture anthem in the sense that it tells a story and hopefully reflects some aspects of the King’s character.”

He explains that Doyle’s goal was to make the walk “as personal as possible”, so he divided it into four sections: a flamboyant “dynastic opening” followed by a more lively Celtic-inspired section (Doyle’s own Scottish history) and Charles’s ” a “cheerful and funny” episode to reflect the “great sense of humor” followed by a “romantic and thoughtful” anthem. [which] reaches a triumphant climax. There are also orchestral ‘demonstrations’ from start to finish, “to represent the fireworks going off for obvious reasons,” Doyls says.

“It tells a story, and hopefully reflects some aspects of King Charles’ character, like an overture you’ll hear before you get a glimpse of the future of an opera or a musical theater piece,” Doyle explains.

The match will be played during the Commonwealth procession before King Charles and his wife, Queen Camilla, are crowned at London’s Westminster Abbey in front of a congregation of 2,000 that will include Doyle, who was invited as a guest.

A fitting career record for a composer who has worked on a variety of mind-blowing films, from Kenneth Branagh’s “Frankenstein” to the Disney Pixar animation “Brave.” “I am very, very lucky to have never crashed into a dovecote in my career,” he says. “I love all genres of film, and maybe that’s part of why. I’ve done romantic comedies, action movies, sci-fi movies, thrillers, period films, and of course many Shakespeare movies with Kenneth Branagh. I think I could be a musical chameleon.”

How would he describe his signature style? “I’m what you would call a dramatic composer,” Doyle replies with a smile. “I would have been writing for opera about a hundred years ago.”

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